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ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
Sex, Politics, Art and Revolution: French Cinema in 1968
ARTICLE
Think, Shoot, Distribute
By
Peter Fraser
The Naked Island
ARTICLE
The Hours Is Not a Film
By
John Bradburn
Dark Passage
ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
The Marquise of O
Heart to Heart: Lee Myung-se
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s
ARTICLE
Paulo Branco: Profile
By
John Mount
The Pursuit of Wholeness: Gregory Markopoulos
ARTICLE
On Showing a Film: Some Thoughts and Voices
By
Peter Todd
The Way You Wanted Me
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