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ESSAY
In the Perceptible Field
By
Catherine Elwes
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
Close-Up on Jean-Luc Godard
ARTICLE
The Hours Is Not a Film
By
John Bradburn
Close-Up on British New Wave
The Last Detail
The Diary of a Country Priest
Pil and Galia Kollectiv: The Plague and Its Segmentations and Other Works
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
Take Two: Passage à l'Acte / To Kill a Mockingbird
ARTICLE
Power to the Pixel: Discovering the Potential of the Digital
By
Nikki Nime
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
ARTICLE
If You Wish to See, Listen: The School of Sound
By
Larry Sider
Cosmopolitan Universal Cinema
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
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