Archives

DOCUMENT

The Quay Brothers Dictionary

By Michael Brooke

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

By Lee Hill

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

QUESTION AND ANSWER

(Wo)Man with Mirror

Stephen Dwoskin Dossier

Shirley Clarke's Early Shorts

'16': 16 Films | 16 Filmmakers | 16mm

Take Two: Kiss Me Deadly / Repo Man

ARTICLE

The Children of Godard and 90s TV

By James Leahy, Jamie Payne, David Styan, Karen Alexander

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

By Helen de Witt

ARTICLE

Image Picture Frame

By Jon Jost, Patrick Keiller, Sam Lamche McMullen, John Maybury and Amie Siegel

ARTICLE

The Art of Showing Nothing

By Rosy Rockets

ARTICLE

Telling it Like it Is: A Report from the Sheffield International Documentary Festival

By Holly Aylett

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

Related Items

DOCUMENT

The Quay Brothers Dictionary

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

INTERVIEW

At Least I Will Know My Face

QUESTION AND ANSWER

(Wo)Man with Mirror

Stephen Dwoskin Dossier

Shirley Clarke's Early Shorts

'16': 16 Films | 16 Filmmakers | 16mm

Take Two: Kiss Me Deadly / Repo Man

ARTICLE

The Children of Godard and 90s TV

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

ARTICLE

Image Picture Frame

ARTICLE

The Art of Showing Nothing

ARTICLE

Telling it Like it Is: A Report from the Sheffield International Documentary Festival

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

American Passages