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By George Clark

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

The New American Cinema and After

REVIEW

A Cut Above

By Catherine Elwes

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Close-Up on Robert Bresson

Close-Up on Robert Altman

Jonas Mekas 100!

REVIEW

John Cassavetes Season

By Robert Chilcott

INTERVIEW

Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics

By Robert Chilcott

ARTICLE

Video Power

By Peter Sibley, James Hartzell, Robert Morris

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

By Robert Barry

ARTICLE

What Are We For?

By Robert Chilcott

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

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Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

The New American Cinema and After

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A Cut Above

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"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Close-Up on Robert Bresson

Close-Up on Robert Altman

Jonas Mekas 100!

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Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics

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It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

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Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World