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ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
REVIEW
A Cut Above
By
Catherine Elwes
INTERVIEW
Hard Currencies
By
Robert Chilcott
ARTICLE
Nothing is More Bourgeois than Being Afraid to Look Bourgeois
By
Robert Chilcott
INTERVIEW
The Dardenne Brothers
By
Robert Chilcott
ARTICLE
This Must Be the Place
By
Robert Chilcott
INTERVIEW
Symbiopsychotaxiplasm: Take One and Take 2 2 ½
By
Robert Chilcott
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
ARTICLE
Impossible Cinema
By
Robert Barry
QUESTION AND ANSWER
Seeing in the Dark
By
Robert Chilcott, Gareth Evans
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
ARTICLE
Save our Cinema
By
Robert Rusk
REVIEW
John Cassavetes Season
By
Robert Chilcott
INTERVIEW
Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics
By
Robert Chilcott
ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
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