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ARTICLE
A Quiet Evening at Home: Desert Strike
By
David Fox
DIARY
In the Ongoing Moment: A Road and Image Diary
By
Bill Morrison
ARTICLE
Who's to Say What We Should and Shouldn't See?
By
Margaret Dickinson and Simon Reynell
REVIEW
To a Dog you're the World, to your Girlfriend you're never Sure
By
John Gorick
SCRIPT
Crossing the Equator
By
Anne Cottringer
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
Distribution: Now You See It, Now You Don’t
By
Holly Aylett and Margaret Dickinson
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
No Hope without the Possibility of a Wound
By
Gareth Evans
INTERVIEW
Interview with Kenith Trodd for Vertigo July 1996
By
Vertigo
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
ARTICLE
Optimism at Point of No Return: Dan Walwin and the Implications of Landscape
By
Gareth Evans
VIDEO
Bite the Beast
By
Alongkot, Pamela Jahn
ARTICLE
The Hours Is Not a Film
By
John Bradburn
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