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Close-Up on David Lynch
Electric Forest
The Magnificent Ambersons
November Film Festival Programme 1
Floating Weeds
The Last of England
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Bastards
Blockade
Hallelujah the Hills
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
Maggid Street: Hackney and the Alchemical Impulse
By
Iain Sinclair
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
Factual Format or Documentary?
By
Edward Milner
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