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By Vertigo

ESSAY

The Double Morality of Cinema

By Julio Garcia Espinosa

ARTICLE

In the Name of the Father

By David Pallister

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Two Views of Cannes: Cannes Do

By Sue Clayton

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

By Iain Sinclair

ARTICLE

How Very Dare He

By Owen Armstrong

ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

ARTICLE

The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance

By Chris Petit

ESSAY

U.S. and Them: I’m Not There and American Surrealism

By Jerry White

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

By Catherine Lupton

POEM

The Moving Image

By Gareth Evans

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Edge of Frame: Alone with the Moon

Il Posto

EDITORIAL

Volume 1 - Issue 1 - Editorial

ESSAY

The Double Morality of Cinema

ARTICLE

In the Name of the Father

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Two Views of Cannes: Cannes Do

ARTICLE

Maggid Street: Hackney and the Alchemical Impulse

ARTICLE

How Very Dare He

ARTICLE

I Long for Stalin and I Want Good Violence

ARTICLE

The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance

ESSAY

U.S. and Them: I’m Not There and American Surrealism

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

POEM

The Moving Image