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ARTICLE

Into View: A Two Programme Dialogue

By Peter Todd & Ute Aurand

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

Close-Up on Orson Welles

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

By Jerry White

ARTICLE

Cobra Mist: Emily Richardson and the Legacy of Orford Ness

By Will Stone

FILM

Exhibition Reel Of Two Color Film (Excerpts)

Director: Brewster Color Film Corp.

BOOK

Dziga Vertov: The Vertov Collection at the Austrian Film Museum

Author: Austrian Film Museum

FILM

Film Poems Panel Discussion

Director: British Film Institute

DOCUMENT

For Tomorrow’s Witness

By The filmmakers of Lebanon | Israel

Norte, the End of History

ARTICLE

Film Criticism: Why Bother?

By Chris Darke

INTERVIEW

The Film I Will Never Forget

By Catherine Fowler

REVIEW

Tony Sinden: Everything Must Go – Installation, Video and Film

By Lucy Reynolds

Related Items

ARTICLE

Into View: A Two Programme Dialogue

ARTICLE

All my Eye and Aristotle: Editing European Films

Close-Up on Orson Welles

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

ARTICLE

Cobra Mist: Emily Richardson and the Legacy of Orford Ness

FILM

Exhibition Reel Of Two Color Film (Excerpts)

BOOK

Dziga Vertov: The Vertov Collection at the Austrian Film Museum

FILM

Film Poems Panel Discussion

DOCUMENT

For Tomorrow’s Witness

Norte, the End of History

ARTICLE

Film Criticism: Why Bother?

INTERVIEW

The Film I Will Never Forget

REVIEW

Tony Sinden: Everything Must Go – Installation, Video and Film

Apostles, Arabesques and Spells: Seven Recent Films in the Millennium Film Journal

The Liberated Film Club V with Athina Tsangari