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FILM
Max Richter’s Sleep
Director:
Natalie Johns
ARTICLE
The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance
By
Chris Petit
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
A Very Public Situationist
By
Lee Hill
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
REVIEW
Situationism Now
By
David Pinder
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
No Rest ’Til Zanzibar
By
Kieron Corless
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
The Saragossa Manuscript and The Recording Angel Ensemble
By
Owen Armstrong
ARTICLE
What Lies on the Web REDUX
By
Ben Slater
ARTICLE
Into View: A Two Programme Dialogue
By
Peter Todd & Ute Aurand
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
ESSAY
Silence Explains Nothing
By
Stefan Grissemann
INTERVIEW
After the Garden
By
Julian Ross
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