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ARTICLE

Dmitri Shostakovich and the Free Space of Music

By John Riley

REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

By John Gorick

LETTER

There Will Be no Cinema in Utopia

By John Jordan

ARTICLE

S.T.A.L.K.E.R. or Stalker

By Daniel Stuyck

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

By Jerry White

EDITORIAL

Volume 2 - Issue 8 - Editorial

By Vertigo

ARTICLE

Germany in Autumn

By Pepe Petos

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Close-Up on British New Wave

Jan Švankmajer's Late Short Films

Second Run: Diamonds of the Night

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

Related Items

ARTICLE

Dmitri Shostakovich and the Free Space of Music

REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

LETTER

There Will Be no Cinema in Utopia

ARTICLE

S.T.A.L.K.E.R. or Stalker

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

EDITORIAL

Volume 2 - Issue 8 - Editorial

ARTICLE

Germany in Autumn

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Close-Up on British New Wave

Jan Švankmajer's Late Short Films

Second Run: Diamonds of the Night

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

Take Two: Pickpocket / Vivre sa Vie

Close-Up on Orson Welles

Close-Up on Jean-Luc Godard