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Edge of Frame: Brushwork: The Painted Animation
Umitori – The Stolen Sea at the Shimokita Peninsula
Two-Lane Blacktop
Deviant Traditions of Desire: Asian Cinema at the Intersection of Folklore and Transgressive Desire
ESSAY
Dissident Surrealism
By
Michael Eaton
ARTICLE
Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age
By
Graham Murdoch
ARTICLE
My Grandfather’s House
By
James Leahy
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir, Cathy Greenhalgh, Peter Culshaw
ARTICLE
A Year of Living Dangerously
By
James Norton
MANIFESTO
Oblique Viewing
By
Alia Syed
ESSAY
Intimate Witnesses
By
Catherine Elwes
REVIEW
Waking Up from Cinema
By
Richard Wright
INTERVIEW
Lost Landscapes, Found Paintings
By
Ian Haydn Smith
EDITORIAL
Volume 3 - Issue 1 - Editorial
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