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By Scott MacDonald

STRATA: Six Recent Films in the Millennium Film Journal

The Liberated Film Club VIII with Adam Christensen

The Liberated Film Club: David Keenan

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

By Dai Vaughan

Georgia 100: Film/Fest/Feast

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

The Liberated Film Club XI with Dennis Cooper

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

Planet Film, 24 Frames at a Time

By Nicholas Royle

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

The Liberated Film Club X with Astra Taylor

ARTICLE

Sundance Film Festival 2007

By Lucinda Henderson and Brian Robinson

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The Liberated Film Club IV with Chloe Aridjis

ARTICLE

Film as Subversive Art

STRATA: Six Recent Films in the Millennium Film Journal

The Liberated Film Club VIII with Adam Christensen

The Liberated Film Club: David Keenan

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

Georgia 100: Film/Fest/Feast

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

The Liberated Film Club XI with Dennis Cooper

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

ARTICLE

Planet Film, 24 Frames at a Time

ARTICLE

Why and for Whom Do We Film Today?

The Liberated Film Club X with Astra Taylor

ARTICLE

Sundance Film Festival 2007