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By Chris Petit

Mulholland Drive

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Paris, Texas

EDITORIAL

Volume 1 - Issue 6 - Editorial

ARTICLE

Two Views of Cannes: Cannes Do

By Sue Clayton

Assunta spina

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Histories of the Avant-Garde Part IV

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

By Michael Chanan

Extracted and Circulated: Material Exchange

ARTICLE

Gallivant I

By Kimberley Cooper

ARTICLE

Black Square, White Square

By Jacquetta May

REVIEW

Rabbit Unrest

By Joy Damousi

Related Items

Prismatic Music: The Films of Joseph Bernard

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Whither the Avant-Garde: The ICA Biennial

Mulholland Drive

ARTICLE

Why and for Whom Do We Film Today?

Paris, Texas

EDITORIAL

Volume 1 - Issue 6 - Editorial

ARTICLE

Two Views of Cannes: Cannes Do

Assunta spina

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

Histories of the Avant-Garde Part IV

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

Extracted and Circulated: Material Exchange

ARTICLE

Gallivant I

ARTICLE

Black Square, White Square

REVIEW

Rabbit Unrest