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ARTICLE

Raining Stones II: A View from Paris

By Philippe Pilard

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

By Graeme Hobbs

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

ARTICLE

Sensing Histories

By Metin Alsanjak

ARTICLE

Caché (Hidden)

By Peder Clark

SCRIPT

Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006

By Tanya Singh

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

By Dorota Ostrowska

ARTICLE

European Memory Zones: Consciousness, Conflict, Continental Drift

By Stephen Barber

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ARTICLE

Raining Stones II: A View from Paris

ARTICLE

A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent

ARTICLE

I Like the FID and the FID Likes Me

ARTICLE

All my Eye and Aristotle: Editing European Films

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

ARTICLE

Sensing Histories

ARTICLE

Caché (Hidden)

SCRIPT

Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

ARTICLE

European Memory Zones: Consciousness, Conflict, Continental Drift

Kurt Kren: Which Way to CA?

Costumes for the Films of Andrei Tarkovsky Book Launch

Prismatic Music: The Films of Joseph Bernard

Close-Up on Leos Carax

L’avventura