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By Chris Petit

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

REVIEW

Subtitles: On the Foreignness of Film

By Chris Darke

ESSAY

From First Principles: A Prehistory of the Slade Film Department

By Henry K. Miller

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ARTICLE

Film Frame to Skin Cell

By Niamh McDonnell

DOCUMENT

The Abingdon Film Unit

By Jeremy Taylor | Michael Grigsby

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

By May Adadol Ingawanij

ESSAY

Kira Muratova’s Searing World

By Elena Gorfinkel

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Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch

ARTICLE

The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

REVIEW

Subtitles: On the Foreignness of Film

ESSAY

From First Principles: A Prehistory of the Slade Film Department

ARTICLE

Transitions: Cinema and Video Art from Georgia

ARTICLE

Film Frame to Skin Cell

DOCUMENT

The Abingdon Film Unit

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

REVIEW

A. L. Rees's A History of Experimental Film and Video

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

ESSAY

Kira Muratova’s Searing World

Close-Up on Sergei Parajanov