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By Michael Eaton

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

By Rob Rix

SCRIPT

These Are The Times: Episodes from a Life of Thomas Paine

By Trevor Griffiths

QUESTION AND ANSWER

Altman Took Me Gambling

By Robert Chilcott

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The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance

By Chris Petit

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BFI Films: A Remit for Cultural Diversity

By Jane Giles

REVIEW

Shorts... Cut

By Metin Alsanjak

ARTICLE

In their own Image

By Hasan Sahan

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

By Brad Prager

ARTICLE

Lights, Camera, Military Action…

By Guy Westwell

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Whose Side Are you on?

By Gaylene Gould

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Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

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