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By Jonathan Rosenbaum

ARTICLE

Factual Format or Documentary?

By Edward Milner

'16': 16 Films | 16 Filmmakers | 16mm

Eight Hours Don't Make a Day

INTERVIEW

Henri Storck, Interviewed for Vertigo

By Michael Chanan and Julian Petley

People in the Summer Night + Alvar Aalto

ARTICLE

Paulo Branco: Profile

By John Mount

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

International Workers’ Day: Class Relations

ARTICLE

Vertigo Café: Friends of the BFI

By Julian Petley

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

Drifting Shadows: Masterpieces of Finnish Cinema

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

By Elke De Wit

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

By Elke de Wit

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Close-Up on the Czechoslovak New Wave

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Factual Format or Documentary?

'16': 16 Films | 16 Filmmakers | 16mm

Eight Hours Don't Make a Day

INTERVIEW

Henri Storck, Interviewed for Vertigo

People in the Summer Night + Alvar Aalto

ARTICLE

Paulo Branco: Profile

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

International Workers’ Day: Class Relations

ARTICLE

Vertigo Café: Friends of the BFI

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

Drifting Shadows: Masterpieces of Finnish Cinema

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels