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By Kitty Fitzgerald

Guelwaar

ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

By James Rose

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ESSAY

The Double Morality of Cinema

By Julio Garcia Espinosa

The Magnificent Ambersons

ARTICLE

Raining Stones IV: For a Richer Vision of Poverty

By John Akomfrah

Sex, Politics, Art and Revolution: French Cinema in 1968

INTERVIEW

Interview with Shadow Heritage Minister Chris Smith

By Alan Fountain and Marc Karlin

ESSAY

The Dark Side of the Moon: The Global Media Crisis

By Peter Watkins

ARTICLE

Future of the BFI: The BFI which Will Be 67 in the Year 2000

By Michael Chanan and Julian Petley

Earth as History: Moving Images and Ecologies in Southeast Asia

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

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Guelwaar

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Turning to Dust: The Gothic Cinema of Philip Ridley

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ESSAY

The Double Morality of Cinema

The Magnificent Ambersons

ARTICLE

Raining Stones IV: For a Richer Vision of Poverty

Sex, Politics, Art and Revolution: French Cinema in 1968

INTERVIEW

Interview with Shadow Heritage Minister Chris Smith

ESSAY

The Dark Side of the Moon: The Global Media Crisis

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Future of the BFI: The BFI which Will Be 67 in the Year 2000

Earth as History: Moving Images and Ecologies in Southeast Asia

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‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

The Worthless