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ESSAY
The Image Speaks: Miloš Forman and Free Cinema
By
Peter Hames
Elective Affinities
ESSAY
Intimate Witnesses
By
Catherine Elwes
Take Two: Pickpocket / Vivre sa Vie
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
Double Blind (No Sex Last Night)
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
The Killing of a Chinese Bookie
REVIEW
Waking Up from Cinema
By
Richard Wright
Peter Hutton's Haikus I
ARTICLE
The Independent Film Parliament
By
Holly Aylett
The Incredible Simultaneity Console VIII
ARTICLE
Film in Cornwall
By
Antal Kovacs
Crime and Punishment
INTERVIEW
Against Forgetting Filming the Genocide
By
Jason Wood
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