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ESSAY
''See You at Mass, Johnny''
By
Iain Sinclair
Close-Up on Orson Welles
ARTICLE
How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History
By
Ehsan Khoshbakht
Alex MacKenzie: Experiments for a Single Projector
Open City Documentary Festival
ARTICLE
Hush-a-Bye Baby
By
Margaret Dickinson, Anne Cottringer and Julian Petley
ARTICLE
Where New Dreams Are Drawn: For a Cinema of Interiority
By
Adam Kossoff
ARTICLE
Two Views of Cannes: Cannes Do
By
Sue Clayton
ARTICLE
Shadows of Sergei Paradjanov
By
James Norton
ARTICLE
Maggid Street: Hackney and the Alchemical Impulse
By
Iain Sinclair
ARTICLE
My Father’s Country
By
Maryclare Foá
ARTICLE
Think, Shoot, Distribute
By
Peter Fraser
ARTICLE
How Very Dare He
By
Owen Armstrong
INTERVIEW
The Mind of a Commissioning Editor
By
Michael Chanan and Margaret Dickinson
ARTICLE
Don't Try this at Home: Tarantino
By
Ian Penman
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