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ARTICLE
An Artist in the Floating World
By
Maggie Lee
INTERVIEW
Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands
By
William Fowler
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Nokia-isation of Scottish Film Policy
By
Mark Cousins
ARTICLE
Emotional Locations: A Meeting with Ryuichi Hiroki
By
Maggie Lee
ARTICLE
Ecovisions: Seeing Animals in Recent Ethnographic Film
By
Anat Pick
ARTICLE
Penny Woolcock on Exodus
By
Penny Woolcock
ARTICLE
Japanese Documentaries Take Tokyo
By
Fujioka Asako
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
INTERVIEW
The London Film School at 50
By
Robert Chilcott
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
ARTICLE
Grim Reaper & the Holy Fool
By
Rosy Rockets
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