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MANIFESTO
Kino Korrespondence
By
Ken McMullen
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
Like an Anaconda, Blowing in the Wind
By
Mark Stafford
REVIEW
Do Fish Have Dreams?
By
Almendra Maria Mcbride Perez
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
REVIEW
Apichatpong Weerasethakul
By
Rob Dennis
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
Tears of a Kook
By
Rosy Rockets
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
The Troubles We’ve Seen
By
James Leahy
ARTICLE
Anxious Visions
By
Keith Griffiths
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ARTICLE
“The skin, the aging, the imperfection, the colour, the beauty”
By
Sophie Mayer
ARTICLE
The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance
By
Chris Petit
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