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By Elke De Wit

ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

By Helen de Witt

ARTICLE

The LUX Is Open

By Helen de Witt

ARTICLE

Born and Bred

By Elzemieke de Tiege

ARTICLE

Exploiting the Innocent Heroine

By Elzemieke de Tiege

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

By Elke de Wit

ARTICLE

Look at that, you Won't See that again!

By Elke de Wit

FILM

Kessels' Eye

Director: Simone de Vries

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami | Merzak Allouache | Gaston Kaboré | Nour-Eddine Sail

OBITUARY

Tributes: Tomas Gutierrez Alea

By Julio Garcia Espinosa | Michael Chanan

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

By Rob Rix

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

By Sophie Mayer

OBITUARY

When Faces Counted Most

By Noah Isenberg

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FILM PROGRAMME

29 May 2022: Islands of Fire: The Cinema of Vittorio De Seta

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

ARTICLE

I Long for Stalin and I Want Good Violence

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

ARTICLE

The LUX Is Open

ARTICLE

Born and Bred

ARTICLE

Exploiting the Innocent Heroine

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

ARTICLE

Look at that, you Won't See that again!

FILM

Kessels' Eye

ARTICLE

Why and for Whom Do We Film Today?

OBITUARY

Tributes: Tomas Gutierrez Alea

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

OBITUARY

When Faces Counted Most