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By Libby Saxton

ARTICLE

In the Shell of the Ear: Listening to the School of Sound 2007

By John Bradburn

ARTICLE

Cinema Eden

By Juan Goytisolo

ARTICLE

Persistent Fallacy Gives Good Rhetoric

By James Leahy

INTERVIEW

The Quiet Genius of Victor Erice

By Geoff Andrew

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

By Stephen Barber

ARTICLE

Hell at the Ocean's Edge

By Vaughan Pilikian

ARTICLE

Putting on the Red Shoes: A Tango with the Camera

By Sophie Mayer

ARTICLE

Nothing is More Bourgeois than Being Afraid to Look Bourgeois

By Robert Chilcott

ARTICLE

Hello Fruitfulness

By Simon Cropper

ESSAY

The Last Words of Antonin Artaud

By Stephen Barber

REVIEW

Theorem: Pasolini’s Family Affair

By James Norton

ARTICLE

Luminous Days: Notes on the New German Cinema

By Ekkehard Knörer

ARTICLE

Jean-Luc Godard: Vivre sa Vie

By Frieda Grafe

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EDITORIAL

Volume 2 - Issue 3 - Editorial

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

ARTICLE

In the Shell of the Ear: Listening to the School of Sound 2007

ARTICLE

Cinema Eden

ARTICLE

Persistent Fallacy Gives Good Rhetoric

INTERVIEW

The Quiet Genius of Victor Erice

ARTICLE

The Art of Destruction: The Films of the Vienna Action Group

ARTICLE

Hell at the Ocean's Edge

ARTICLE

Putting on the Red Shoes: A Tango with the Camera

ARTICLE

Nothing is More Bourgeois than Being Afraid to Look Bourgeois

ARTICLE

Hello Fruitfulness

ESSAY

The Last Words of Antonin Artaud

REVIEW

Theorem: Pasolini’s Family Affair

ARTICLE

Luminous Days: Notes on the New German Cinema

ARTICLE

Jean-Luc Godard: Vivre sa Vie