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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
DOCUMENT
Cannes Film Festival
By
Kieron Corless
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
ARTICLE
Ecovisions: Seeing Animals in Recent Ethnographic Film
By
Anat Pick
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
ESSAY
Entering the Desert: The Book of Film Socialisme
By
James S. Williams
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
INTERVIEW
A Story of Experimental Film
By
Louis Benassi
FILM PROGRAMME
9 October 2016: No Place Like Home: The Films of Karen Yasinsky
FILM PROGRAMME
30 April 2011: '16': 16 Films | 16 Filmmakers | 16mm
FILM PROGRAMME
18 June 2017: Take Two: Johnny Guitar / Pierrot le fou
FILM PROGRAMME
11 July 2017: Pierrot le fou
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