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ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
INTERVIEW
Against Forgetting Filming the Genocide
By
Jason Wood
ARTICLE
The Art of Destruction: The Films of the Vienna Action Group
By
Stephen Barber
REVIEW
Visionary Landscapes: The Films of Nina Danino
By
Althea Greenan
ARTICLE
Première Station: Jésus de Montréal- A Filmgrimage
By
Sophie Mayer
|
Lady Vervaine
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
ARTICLE
Filming in Russia
By
Hannah Collins
ARTICLE
Seasons Past: The Films of Michael J. Ham
By
William Fowler
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