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ESSAY
Intimate Witnesses
By
Catherine Elwes
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
The Wild East
By
Sian Glaessner
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
SCRIPT
Script and Script Again
By
Malcolm Mowbray
ARTICLE
Sliding into Crisis
By
Guillermo de Carli
ARTICLE
Hungarian Cinema
By
John Cunningham
ARTICLE
Widescreen
By
Sarah Wood
ARTICLE
Considerations
By
Gareth Evans
INTERVIEW
Mass Distraction
By
Chris Darke
ESSAY
Terrence Malick’s Heideggerian Cinema
By
Marc Furstenau
|
Leslie MacAvoy
ARTICLE
The Hills Are Alive
By
Kieron Corless
ARTICLE
Capturing the Elephant
By
Asu Aksoy
ESSAY
Letter from Lamerica: (Com)Promised Lands
By
Áine O’Healy
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