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ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
The Switchboard Operator
By
Colin McArthur
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
Regeneration? Part II: The Lux Centre: Eastward Ho!
By
Sarah Turner
ARTICLE
Shadows of Sergei Paradjanov
By
James Norton
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
Gluttonous Anniversary
By
Celluloid Liberation Front
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
LETTER
A Word in your Ear, Minister...
By
Julian Petley
ARTICLE
Real Lives: Camcorder Cults
By
Jon Dovey
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
OBITUARY
When Faces Counted Most
By
Noah Isenberg
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