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ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
INTERVIEW
Gardens in Autumn
By
Rob McCrae
ARTICLE
London Eyes
By
Stephen Barber
|
Jeremy Reed
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark
|
Redmond Entwistle
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ESSAY
Narrative as Myth & Memory
By
Aleksandar Dundjerovich
ARTICLE
Neighbourhood Watching
By
Graham Hodge
ARTICLE
Sink or Swim – The Muddy Waters of Independent Distribution
By
Caroline Freeman
|
Kate Gerova
ARTICLE
The Sound of Story
By
Stephen Daltry
ARTICLE
Mapping Perception: In Hindsight a Reflection
By
Andrew Kötting
ARTICLE
(Un)real Versions of Experience
By
Metin Alsanjak
ARTICLE
First World Film
By
Mark Cousins
ARTICLE
Iraq Reels and Realities
By
Maysoon Pachachi
ARTICLE
Julio Medem’s Basque Balls
By
Rob Stone
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