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ARTICLE
How the West Was Won
By
Rebecca Taylor
ARTICLE
1968: The Year that Was, Was many Things
By
Tony Elliott
INTERVIEW
Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
INTERVIEW
As I See You You See Me
By
Julian Ross
QUESTION AND ANSWER
Propaganda for the Politics of Joy and Disorder
By
Stuart Comer
INTERVIEW
Nostalgia for the Light
By
Nerina Moris
FILM PROGRAMME
9 December 2018: Edge of Frame: Material Fragments
ARTICLE
Real Lives: Italian People Shows
By
Rita Crisci
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
REVIEW
Atlas of Emotion: Journeys in Art, Architecture and Film
By
Chris Darke
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
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