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ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
ESSAY
Marketa Lazarová
By
Peter Hames
ARTICLE
What Lies on the Web REDUX
By
Ben Slater
ARTICLE
Craig Baldwin: Archive Fever
By
James Riley
ARTICLE
A Letter from the Edge: Making and Surviving The Fall
By
Peter Whitehead
ESSAY
Turn On, Tune In, Cop Out: The Commodification of Revolution
By
Penny Rimbaud
REVIEW
Subversion!
By
Nicola Woodham
ARTICLE
S.T.A.L.K.E.R. or Stalker
By
Daniel Stuyck
INTERVIEW
Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit
ARTICLE
On Finishing Memories of a Future: The Spanish Civil War 70 Years on
By
Margaret Dickinson
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
INTERVIEW
As I See You You See Me
By
Julian Ross
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