Search Result

prev1-2-3-4-5-6-7-8-9-next

Director: Krzysztof Kieślowski

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

By Tereza Stehlíková

ARTICLE

Light Reading

By Gareth Evans

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

FILM PROGRAMME

3 - 30 April 2018: Close-Up on Krzysztof Kieślowski

ESSAY

The Double Morality of Cinema

By Julio Garcia Espinosa

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

By Jem Cohen

EDITORIAL

A Double Bind

By Damien Sanville

FILM PROGRAMME

24 June - 27 July 2017: Double Blind (No Sex Last Night)

FILM

Interview With Irène Jacob on The Double Life of Véronique

Director: _

FILM

The Man Who Knew Too Much (1934)

Director: Alfred Hitchcock

EDITORIAL

Volume 1 - Issue 2 - Editorial

By Vertigo

ARTICLE

What Was GATT About?

By Michael Chanan

ARTICLE

Asian Films in Britain

By Maarit Khan

prev1-2-3-4-5-6-7-8-9-next

Search Result

FILM PROGRAMME

17 - 25 April 2018: The Double Life of Véronique

FILM

The Double Life Of Veronique

ARTICLE

Homecoming: Reflections on Moving Images that Move us to Reflection

ARTICLE

Light Reading

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

FILM PROGRAMME

3 - 30 April 2018: Close-Up on Krzysztof Kieślowski

ESSAY

The Double Morality of Cinema

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

EDITORIAL

A Double Bind

FILM PROGRAMME

24 June - 27 July 2017: Double Blind (No Sex Last Night)

FILM

Interview With Irène Jacob on The Double Life of Véronique

FILM

The Man Who Knew Too Much (1934)

EDITORIAL

Volume 1 - Issue 2 - Editorial

ARTICLE

What Was GATT About?

ARTICLE

Asian Films in Britain