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ARTICLE
Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age
By
Graham Murdoch
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
INTERVIEW
Letters from the Shadows
By
Graeme Hobbs
ARTICLE
Two Men with Flowering Branches
By
Graeme Hobbs
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
AUDIO
Shanghai Frolic
By
Andrew Kötting
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ARTICLE
Real Lives: Video Nation
By
Mandy Rose
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Mobile Men: Apichatpong Weerasethakul’s Migrant
By
Rob Dennis
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Vertigo Reports...
INTERVIEW
Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World
By
Robert Chilcott
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
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