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ARTICLE
Arden / Bond / Sound / Vision
By
Sean Kaye-Smith
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
My Grandfather’s House
By
James Leahy
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
INTERVIEW
What is Animation? Bob Godfrey in Conversation
By
Martin Pickles
INTERVIEW
A Long, Hot Summer in a Small Polish Town
By
Nancy Harrison
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
Don't Try this at Home: Tarantino
By
Ian Penman
REVIEW
Colourfield Cinema
By
Poppy Sebag-Montefiore
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
In Memoriam
By
Nick Bradshaw
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
The Man from London
By
John Bradburn
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
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