Curated by Matt Feldman and Syd Farrington, In Our Sleep brings together the work of 8 artists for a screening of films presented on 16mm. The films offer a unique approach to 16mm filmmaking in their consideration of landscape, domestic space and media as a means of addressing notions of ‘Place’.
Dilip Kumar is Ashok, the new postmaster in Madhuban and the focus of a heart-breaking love triangle with the poor, mischievous postman’s daughter and the rich, haughty daughter of the local grandee. This is a love story filled with tragedy, yet it became the second-highest box office hit in India in 1950.
Jack Clayton’s strange, gothic film takes place in a shadowy, old house in south London. A home in which secrets must be kept by 7 children about their dead mother as they try to continue their lives whilst avoiding the orphanage.
Presented as part of the Hong Kong Film Festival 2025, this programme brings together seven works by pioneering and emerging Hong Kong video artists, spanning from 1990 to 2025.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Sasha Litvintseva and Beny Wagner have been working collaboratively since 2018. Experimenting with image-making techniques and nonlinear narration, their work is driven by a series of open-ended questions about how the world has been organized historically and, crucially, how it could be otherwise.
The Counterculture on Camera double bill will be introduced by Ranjit S. Ruprai and followed by discussion with film scholar and curator Dr. Omar Ahmed
Celebrated as Canada’s first queer film release, David Secter’s debut film is a quietly confident exploration of friendship and desire. It left a lasting impact on Canadian cinema, paving the way for Canadian queer filmmakers such as Bruce LaBruce and Patricia Rozema, even inspiring a young David Cronenberg who cites Winter Kept Us Warm as the film that inspired him to become a director.
Frictions is a moving image work structured around twelve first-person narratives, each recounting a brief, disorienting encounter with a stranger. Written by the artist and narrated in voiceover by Canadian actor Ali Momen, these intimate monologues unfold against hazy, dreamlike visual sequences punctuated by interludes of ambient soundscapes.