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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ESSAY
Broken Trust of the Image
By
Dai Vaughan
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
Marvo Man
By
William Fowler
ARTICLE
Belle Toujours
By
James Norton
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
ARTICLE
Gleaning the Future
By
Chris Dercon
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ARTICLE
The Feeling of a Story
By
Mathieu Copeland
ARTICLE
In a Free State?
By
Gaylene Gould
ESSAY
Video Confidential
By
Catherine Elwes
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
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