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ARTICLE
Controlled Collisions
By
Tony Grisoni
ARTICLE
Adequate Imagery
By
Paul Cronin
ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
ARTICLE
Paris Nous Appartient
By
Robert Chilcott
ARTICLE
Marco Ferreri
By
Bruno Di Marino, Maurizio Grande, Enzo Ungari, Stefania Parigi
ARTICLE
Visual Music: The Animation of Norman McLaren
By
Nancy Harrison
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
INTERVIEW
One Meditation on Partition: Ken McMullen in Conversation
By
James Leahy
INTERVIEW
Return of the Frontiersman: Rudy Wurlitzer in Conversation
By
Lee Hill
ARTICLE
S.T.A.L.K.E.R. or Stalker
By
Daniel Stuyck
OBITUARY
The Ghost of Goto: Walerian Borowczyk Remembered
By
Daniel Bird
ESSAY
Personal Cinema: Józef Robakowski’s Cinematic Works
By
Patricia Grzonka
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
INTERVIEW
Challenging the Censorship in Iran
By
Parviz Jahed
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