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ARTICLE
Controlled Collisions
By
Tony Grisoni
ARTICLE
Adequate Imagery
By
Paul Cronin
ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
ARTICLE
Paris Nous Appartient
By
Robert Chilcott
ARTICLE
Marco Ferreri
By
Bruno Di Marino, Maurizio Grande, Enzo Ungari, Stefania Parigi
ARTICLE
Visual Music: The Animation of Norman McLaren
By
Nancy Harrison
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
INTERVIEW
One Meditation on Partition: Ken McMullen in Conversation
By
James Leahy
ARTICLE
Wanted & Desired – Eventually
By
Lucinda Henderson, Brian Robinson
INTERVIEW
An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema
By
Jason Wood
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
ARTICLE
Two or Three Things… I Know About Żuławski
By
Daniel Bird
INTERVIEW
A Story of Experimental Film
By
Louis Benassi
Pasolini's Notebooks
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