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Never on Sunday
REVIEW
Andrzej Munk's The Passenger
By
David Balfour
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
ARTICLE
Jayne Among the Birds
By
Iain Sinclair
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
QUESTION AND ANSWER
The Patagonian Hare
By
Libby Saxton
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
In Mystery Shrouded: On the Quays’ New Film
By
Paul Hammond and The Brothers Quay
ARTICLE
Future of the BFI: The BFI which Will Be 67 in the Year 2000
By
Michael Chanan and Julian Petley
OBITUARY
Tribute: Tony Kirkhope
By
Marc Karlin
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
I Long for Stalin and I Want Good Violence
By
Elke De Witt
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
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