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ARTICLE

Luminous Days: Notes on the New German Cinema

By Ekkehard Knörer

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Regeneration? Part II: The Lux Centre: Eastward Ho!

By Sarah Turner

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

BIOGRAPHY

An Introduction to Chantal Akerman

By Vivian Ostrovsky

ARTICLE

Long Live Lulu

By James DC

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

ESSAY

Divisions Upon a Ground

By Dai Vaughan

REVIEW

The Main Course

By the Celluloid Liberation Front

ARTICLE

The State of Independence

By Andrea Corbett

Edge of Frame: Surface Memory

ARTICLE

Planet Film, 24 Frames at a Time

By Nicholas Royle

Related Items

ARTICLE

Luminous Days: Notes on the New German Cinema

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Regeneration? Part II: The Lux Centre: Eastward Ho!

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

BIOGRAPHY

An Introduction to Chantal Akerman

ARTICLE

Long Live Lulu

ARTICLE

BFI Films: A Remit for Cultural Diversity

ESSAY

Divisions Upon a Ground

REVIEW

The Main Course

ARTICLE

The State of Independence

Edge of Frame: Surface Memory

ARTICLE

Planet Film, 24 Frames at a Time

Essential Cinema