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By Sally Potter | John Berger

Close-Up on Ruth Beckermann

REVIEW

Fault Lines, Changing States

By Lucy Reynolds

Lost Futures: Let the Summer Never Come Again

JAEFF: Nation

ARTICLE

John Berger on Sally Potter

By Sophie Mayer

ARTICLE

Where New Dreams Are Drawn: For a Cinema of Interiority

By Adam Kossoff

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Never on Sunday

Edge of Frame: Heavenly Bodies

Never on Sunday

INTERVIEW

Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema

By Gareth Evans

INTERVIEW

Split Screen

By Chris Darke

ARTICLE

First World Film

By Mark Cousins

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Fault Lines, Changing States

Lost Futures: Let the Summer Never Come Again

JAEFF: Nation

ARTICLE

John Berger on Sally Potter

ARTICLE

Where New Dreams Are Drawn: For a Cinema of Interiority

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Why and for Whom Do We Film Today?

Never on Sunday

Edge of Frame: Heavenly Bodies

Never on Sunday

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Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema

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Split Screen

ARTICLE

First World Film