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By Mark Goodall

ARTICLE

Russian Cinema at the Everyman

By Julian Petley

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Cosmopolitan Universal Cinema

Close-Up New Year's Eve: Short Attention Span Cinema

Masterpieces of Polish Cinema: Andrzej Wajda

LETTER

A Brief History of 7 Inch Cinema

By Ian Francis

ARTICLE

Asian Films in Britain

By Maarit Khan

INTERVIEW

Future Cinema: Pictures that Talk, Sing and Dance

By Peter Fraser

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

By Michael Chanan

Essential Cinema VI

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ARTICLE

European Memory Zones: Consciousness, Conflict, Continental Drift

By Stephen Barber

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A One and a Two... The Films of Edward Yang

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Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

ARTICLE

Russian Cinema at the Everyman

ARTICLE

The Slade School and Cinema: Part Two

A Worm’s Tail View Is Often the True One: Films by Pere Portabella

Cosmopolitan Universal Cinema

Close-Up New Year's Eve: Short Attention Span Cinema

Masterpieces of Polish Cinema: Andrzej Wajda

LETTER

A Brief History of 7 Inch Cinema

ARTICLE

Asian Films in Britain

INTERVIEW

Future Cinema: Pictures that Talk, Sing and Dance

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

Essential Cinema VI

ARTICLE

Transitions: Cinema and Video Art from Georgia

ARTICLE

European Memory Zones: Consciousness, Conflict, Continental Drift