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ARTICLE

It Happened Here

By Richard Armstrong

ARTICLE

Exploiting the Innocent Heroine

By Elzemieke de Tiege

DOCUMENT

For Tomorrow’s Witness

By The filmmakers of Lebanon | Israel

Close-Up on Robert Bresson

ESSAY

The Image Speaks: Miloš Forman and Free Cinema

By Peter Hames

Edge of Frame: Material Fragments

A Woman Is a Woman

Detective

ARTICLE

A Quiet Evening at Home: Desert Strike

By David Fox

ARTICLE

Impossible Cinema

By Robert Barry

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

By Libby Saxton

ARTICLE

Paris Nous Appartient

By Robert Chilcott

INTERVIEW

Reverse Shot: Re-assembling the Invasion of Prague

By David Balfour

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

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ARTICLE

It Happened Here

ARTICLE

Exploiting the Innocent Heroine

DOCUMENT

For Tomorrow’s Witness

Close-Up on Robert Bresson

ESSAY

The Image Speaks: Miloš Forman and Free Cinema

Edge of Frame: Material Fragments

A Woman Is a Woman

Detective

ARTICLE

A Quiet Evening at Home: Desert Strike

ARTICLE

Impossible Cinema

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

ARTICLE

Paris Nous Appartient

INTERVIEW

Reverse Shot: Re-assembling the Invasion of Prague

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

No Country for Old Men