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By Catherine Fowler

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

ARTICLE

Paulo Branco: Profile

By John Mount

ESSAY

Simone Weil: Notes on a Timid Cinema

By Anat Pick

LETTER

Rue Des Canettes: A Story of Paris

By Eugène Green

ARTICLE

Channel Hopping

By Simon Cropper

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

Close-Up on Jean-Luc Godard

Close-Up on Robert Bresson

BIOGRAPHY

An Introduction to Chantal Akerman

By Vivian Ostrovsky

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Ash Is Purest White

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Three Images of May: Cinema and the Uprising

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"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

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Paulo Branco: Profile

ESSAY

Simone Weil: Notes on a Timid Cinema

LETTER

Rue Des Canettes: A Story of Paris

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Channel Hopping

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The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

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A Photograph and a Camera: Two Objects in Film Socialisme

Close-Up on Jean-Luc Godard

Close-Up on Robert Bresson

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An Introduction to Chantal Akerman

The Unveiled