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By John Bradburn

The New American Cinema and After

ESSAY

Something Foul in Denmark

By Charles Jason Lee

ARTICLE

The LUX Is Open

By Helen de Witt

Close-Up on Maya Deren Programme 2

Flux at the Minema 1994 / 2024

ESSAY

From First Principles: A Prehistory of the Slade Film Department

By Henry K. Miller

ARTICLE

Angles of Projection, Exhibition and Symposium

By Adam Kossoff

INTERVIEW

Distant Voices, Still Lives: An interview with Terence Davies

By Peter Fraser

INTERVIEW

Together we Stand

By Jack Newsinger

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

By Owen Armstrong

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

ARTICLE

Crossing the Borderline

By Sophie Mayer

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

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In Focus: Betzy Bromberg 3

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Nothing Is True. Everything Is Permissible.

The New American Cinema and After

ESSAY

Something Foul in Denmark

ARTICLE

The LUX Is Open

Close-Up on Maya Deren Programme 2

Flux at the Minema 1994 / 2024

ESSAY

From First Principles: A Prehistory of the Slade Film Department

ARTICLE

Angles of Projection, Exhibition and Symposium

INTERVIEW

Distant Voices, Still Lives: An interview with Terence Davies

INTERVIEW

Together we Stand

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

INTERVIEW

At Least I Will Know My Face

ARTICLE

Crossing the Borderline

ARTICLE

Why and for Whom Do We Film Today?