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Bright Waters: The Films of Jessica Sarah Rinland
Two-Lane Blacktop
ARTICLE
“The skin, the aging, the imperfection, the colour, the beauty”
By
Sophie Mayer
Film Course: Expanded Cinema
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
Celluloid Singapore
By
Ben Slater
INTERVIEW
A Death Dream! Dizzying! Dizzying!
By
Michael Brooke
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
ARTICLE
Vertigo and RePossessed
By
Nick Haeffner
ARTICLE
An Artist in the Floating World
By
Maggie Lee
ARTICLE
Sono Sion: The Dark Poet
By
Maggie Lee
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
ARTICLE
The Films of Peter Whitehead
By
Robert Chilcott
ARTICLE
Notes on Further Investigation
By
John Bradburn
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