HomeFilm ProgrammesLibraryMembershipVenue HireVertigo MagazineArchive

Related Items

prev-120-121-122-123-124-125-126-127-128-next

Bright Waters: The Films of Jessica Sarah Rinland

Two-Lane Blacktop

ARTICLE

“The skin, the aging, the imperfection, the colour, the beauty”

By Sophie Mayer

Film Course: Expanded Cinema

REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber
ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles
ARTICLE

Celluloid Singapore

By Ben Slater
INTERVIEW

A Death Dream! Dizzying! Dizzying!

By Michael Brooke
REVIEW

Subtitles: On the Foreignness of Film

By Chris Darke
ARTICLE

Vertigo and RePossessed

By Nick Haeffner
ARTICLE

An Artist in the Floating World

By Maggie Lee
ARTICLE

Sono Sion: The Dark Poet

By Maggie Lee
REVIEW

Antonioni's The Passenger

By Henry K. Miller
ARTICLE

The Films of Peter Whitehead

By Robert Chilcott
ARTICLE

Notes on Further Investigation

By John Bradburn
prev-120-121-122-123-124-125-126-127-128-next

Close-Up Film Centre
97 Sclater Street
London E1 6HR
+44 (0)20 3784 7970
info@closeupfilmcentre.com
Open Monday to Sunday: 12:00 - 12:00

Call
Send SMS
Add to Skype
You'll need Skype CreditFree via Skype
About
Contact Us
Terms & Conditions
Privacy Policy
Cookie Policy
Disclaimer
new_facebook.png  nem_twitter.png instagram.png new_rss.png
Click Here to Sign Up to our Mailing List
All rights reserved © CLOSE-UP 2011 - 2025