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ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
INTERVIEW
Where Angels Fear to Tread
By
Nick Bradshaw
ARTICLE
Great Briton
By
Dai Vaughan
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
REVIEW
The Poetry of Commitment
By
Gareth Evans
REVIEW
Telling it Like it (Actually) Is
By
Gabriel Carlyle
ARTICLE
The Hills Are Alive
By
Kieron Corless
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
ESSAY
''See You at Mass, Johnny''
By
Iain Sinclair
ARTICLE
Telling it Like it Is: A Report from the Sheffield International Documentary Festival
By
Holly Aylett
ESSAY
Something in the Interval
By
Marina Vishmidt
INTERVIEW
The London Film School at 50
By
Robert Chilcott
ARTICLE
Grim Reaper & the Holy Fool
By
Rosy Rockets
MANIFESTO
Nineteen Hopes for an Activist Cinema
By
Jem Cohen
ARTICLE
The Demonstration: Editing Unrest in Grosvenor Square
By
Dai Vaughan
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