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ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
ARTICLE
The Persistence of Vision
By
Peter Sainsbury
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
ARTICLE
Penda’s Fen
By
Victoria Childs
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
Nokia-isation of Scottish Film Policy
By
Mark Cousins
INTERVIEW
Boozing with Bacon: Molly Parkin and John Maybury on Soho Alcoholics
By
Robert Chilcott
ARTICLE
In Search of a Secret History
By
Lee Hill
ARTICLE
Just Do It
By
James Merchant
INTERVIEW
Return of the Frontiersman: Rudy Wurlitzer in Conversation
By
Lee Hill
ARTICLE
Filmosophy: Re-imagining the Moving Image
By
Tereza Hadravova
REVIEW
The Moving Image Writes
By
Catherine Elwes
DOCUMENT
For Tomorrow’s Witness
By
The filmmakers of Lebanon
|
Israel
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
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