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ARTICLE
Bad Cuts Are Sexy
By
Robert Hargreaves
ARTICLE
Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat
By
John Mepham
REVIEW
Magnum Cinema
By
James Leahy
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
London: The Commonplace Transfigured
By
John Mepham
ARTICLE
Expanded Practice in Television: Defending the Right to Difference
By
William Raban
REVIEW
The Animals Film: Telling it Like it Is
By
James Norton
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
INTERVIEW
A Promise to Eisenstein
By
Jonty Claypole
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
Hungarian Cinema
By
John Cunningham
ARTICLE
Considerations
By
Gareth Evans
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