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ARTICLE
The LUX Is Open
By
Helen de Witt
ARTICLE
David Holzman’s Diary
By
Nancy Harrison
ARTICLE
Citadel of Good
By
Cameron Bailey
REVIEW
Video Art
By
Catherine Elwes
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
ARTICLE
Here and Elsewhere
By
George Clark
ARTICLE
21st August 1968: Remembering Resistance
By
Jiřina Vojáčková
ARTICLE
Re-store, Re-mix, Re-play: Moving Image Culture in the Digital Era
By
Julia Knight
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
DOCUMENT
For Tomorrow’s Witness
By
The filmmakers of Lebanon
|
Israel
ARTICLE
1968: And it All Started in Vietnam
By
Philip Jones Griffiths
INTERVIEW
As I See You You See Me
By
Julian Ross
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